Henri Gouhier, dans son étude classique Fénelon philosophe, qualifiait l’archevêque de Cambrai de « philosophe de la prière ». En effet, l’amour de Dieu est inscrit « comme son principe et sa fin » dans l’essence de la philosophie fénelonienne1. La destination suprême de cette dernière est de s’accomplir dans la contemplation dont l’élévation,..

Les grands genies sont certes inepuisables, mais ils ne sont tels que par la mediation de leurs interpretes, veritables createurs a la seconde puissance qui les eveillent a une vie nouvelle. Henri Gouhier possedait une etonnante capacite de detecter dans chacun des auteurs qu'il analysait, de Descartes a Bergson, en passant par Pascal, Malebranche, Rousseau, Comte - pour ne citer qu'eux! - ce quelque chose de different par quoi il donnait aux lecteurs de les voir autrement. La dimension du speculaire (...) est ici fondamentale, qui s'articule a celle du speculatif. Les metaphores optiques sont recurrentes dans son lexique, et revelent, proprement, sa methode. Tel un photographe, il avait l'obsession de la mise au point. Une philosophie, disait-il, n'a de sens que par reference a une certaine vision du monde dont elle est l'expression. (shrink)

L'examen du vocabulaire de la « contemplation » chez Descartes rend manifeste sa spécificité comme proprement philosophique, à distance de la contemplation mystique et d'une quelconque « expérience extatique ». Cependant la contemplation du vrai, dès lors qu'elle atteint son acmé comme contemplation de l'idée de Dieu, est saisie expérientielle de l'existence de son objet, tandis que, dans la mesure où elle se situe à la frontière de la raison et de la foi — ligne de partage qui unit la (...) métaphysique et la théologie révélée - elle peut assurément être qualifiée d'ouverture sur une autre scène, celle de la vision béatifique. The scrutiny of vocabulary about contemplation with Descartes turns its specificity into something explicitly manifest, i.e., at an equal distance between mystical contemplation and any extatic experience as such. Yet, contemplation of the true, as long as it reaches its acme as being the contemplation of the idea of God, becomes an experiential grasping of the existence of its object, whereas, as it is located on the borderline between reason and faith -i.e. a dividing line which links metaphysics and revealed theory - it may as well be qualified as an opening on towards some other scene, i.e. that of beatific vision. (shrink)

Depuis quelques années l’on assiste à un renouveau dans l’étude des grands courants du libertinisme2. Les historiens de la philosophie, en particulier, savent l’importance du dialogue que nouent un Descartes, un Malebranche ou un Pascal, pour ne citer qu’eux, avec « le libertin ». Autant de cas de figures complexes où est forgée l’image subjective d’un adversaire. Le paradoxe..

XXIII EQUIPOISE Expansion, if too fast or carried too far, cannot but end in disaster— you will blow up like a balloon in similar ... This is one of those darkly- hinted-at "dangers" of Yoga, Expand you must, but you should do so in all directions ...

Anhand von zwei zentralen Schriften Hans Blumenbergs - den Paradigmen zu einer Metaphorologie (1960) und der Arbeit am Mythos (1979) - widmet sich der Band einer Relekture der ausgefeilten gedanklichen wie sprachlichen Verfahrensweisen, die der Philosoph zumeist unkommentiert zum Einsatz bringt. GEfragt wird damit nicht nur nach den spezifischen Darstellungsmitteln der Texte und dem Verhaltnis, das diese zu den verhandelten Themenkomplexen unterhalten, sondern auch, inwiefern deren reichhaltiges Arsenal an Denk- und Ausdrucksweisen gegenwartig Anschlussmoglichkeiten fur kulturanalytische Fragestellungen bereithalt. Die Beitrage stammen (...) von: Thomas Ballhausen, Eckhardt Kohn, Sebastian Lederle, Oliver Muller, Wolfgang Muller-Funk, Mauro Ponzi, Vahidin Preljevic, Matthias Schmidt, Tanja Veverka, Luca Viglialoro und Rudiger Zill. (shrink)

Les États-Unis et la France entretiennent depuis deux siècles des relations diplomatiques, riches en épisodes édifiants et quasi légendaires, riches aussi en crises et en passions. Autant que l’amitié de Franklin et de La Fayette, la tension entre Clemenceau et Wilson, après la Première Guerre, entre Roosevelt et le général de Gaulle, pendant la Deuxième, me paraissent symboliques du..

This twelfth volume of Correspondence contains authoritative and fully annotated texts of all known letters sent both to and from Bentham between July 1824 and June 1828. The 301 letters, most of which have never before been published, have been collected from archives, public and private, in Britain, the United States of America, Switzerland, France, Japan, and elsewhere, as well as from the major collections of Bentham Papers at University College London Library and the British Library.In mid-1824 Bentham was still (...) preoccupied with the Greek struggle for independence against Turkey, though his active involvement waned as he became disenchanted with the behaviour of the deputies sent to London by the Greek National Assembly. His international reputation was reflected in his continuing contact with Simón Bolívar and Bernardino Rivadavia in South America, and with John Quincy Adams, John Neal, Henry Wheaton, and others in the United States, and his forging of new contacts in Guatemala, India, and Egypt. In the autumn of 1825 he visited France, where he stayed with Jean Baptiste Say and La Fayette, and was fêted by the French liberals.Bentham made considerable progress drafting material for his pannomion, or complete code of laws, and in particular for his Constitutional and Procedure Codes, while John Stuart Mill edited the massive Rationale of Judicial Evidence. Bentham became increasingly active in the cause of law reform, and exchanged a series of letters on the subject with Robert Peel, the Home Secretary, and Henry Brougham. He maintained his friendships with John and Sarah Austin, George and Harriet Grote, James and John Stuart Mill, John Bowring, Joseph Hume, Francis Burdett, Francis Place, and Joseph Parkes, re-established contact with the third Marquis of Lansdowne, son of his old friend the first Marquis, and made new acquaintances in James Humphreys, Sutton Sharpe, and Albany Fonblanque. (shrink)

Introduction.--Montaigne.--Le songe de Descartes.--Pascal.--Molière.--Corneille.--Notes sur le temps racinien.--Madame de La Fayette.--Fontenelle.--L'abbé Prévost.--Rousseau.--Diderot.--Benjamin Constant.--Vigny.--Théophile Gautier.--Flaubert.--Baudelaire.--Valéry.--Proust.

This article examines the declining prestige and utility of one of the mainstays of pre-Enlightenment peacemaking: treaties uniting once belligerent dynasties through marriage. By the late Middle Ages, interdynastic marriages had become such a common feature of the diplomatic landscape that the practice seemed almost transhistorical, something that was done always and everywhere. By the reign of Louis XIII, however, statesmen began stressing the limits of interdynastic marriage as a diplomatic strategy. This transformation of French affairs of state coincided with (...) the appearance of prose romances that scholars identify retrospectively as the first French novels. This essay focuses on two of the most popular and influential of these novels, César Vichard de Saint-Réal's Dom Carlos and the Countess of La Fayette's La Princesse de Clèves, as responses to the devaluation of the marriage diplomacy that had established dynastic networks between France and the Mediterranean world for centuries. Both works center on the 1559 Peace of Cateau-Cambrésis between France and Spain, which married Henri II's daughter Elisabeth de Valois to King Philip II. While Saint-Réal does not condemn such arrangements wholesale, he suggests that their success is highly subject to fortune. La Princesse de Clèves owes much to Saint-Réal's portrayal of the personal costs of marriages of state, as well as to Madame de La Fayette's own observations of the French and Savoyard courts. Although her focus on the interior life of her heroine limits explicit political commentary, her allusions to miserably unhappy queens-consort cast marriage diplomacy in an overwhelmingly negative light. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:When an Arab Laughs in Toledo: Cervantes’s Interpellation of Early Modern Spanish OrientalismE. C. Graf (bio)My purpose has been to place in the plaza of our republic a game table which everyone can approach to entertain themselves without fear of being harmed by the rods; by which I mean without harm to spirit or body, because honest and agreeable exercises are always more likely to do good than harm.—Miguel (...) de Cervantes Saavedra, Prologue to Novelas ejemplares [my translation]We are engaged in a technical enterprise at the species scale.—Jacques Lacan, “L’agressivité en psychanalyse” [my translation]While I was all intent on watching him, he looked at me, and with his hands he spread his chest and said: “See how I split myself!”!—Dante Alighieri, Inferno 28.28–30 Click for larger view View full resolutionFigure 1.Sandro Botticelli, The Virgin and Child (c. 1490). Courtesy of the Fogg Art Museum, Harvard University; ©1999 President and Fellows of Harvard College. Click for larger view View full resolutionFigure 2.Salvador Dalí, Dream Caused by the Flight of a Bee around a Pomegranate One Second Before Awakening (1941). Courtesy of Museo Thyssen-Bornemisza, Madrid; ©1999 Artists' Rights Society (ARS), New York.For much of this century, Hispanists have labored in an effort to elevate Miguel de Cervantes Saavedra’s El ingenioso hidalgo don Quijote de la Mancha (1605, 1615) to the coveted status of the “first modern novel.” Today this kind of criticism may strike our postmodern sensibilities as a rather traditional enterprise, the kind more interested in establishing an elite hierarchy of literary tastes than in saying anything new about an author or text. For many, the study of literature is still an aesthetic beauty pageant in which “great books” like Laurence Sterne’s Tristram Shandy (1767) or Marie de la Vergne de La Fayette’s La princesse de Clèves (1678) are paraded across the stage in a contest to seduce the Western intelligentsia. 1 The postmodern student of literature may not have much concern for this age-old territorial contest, but she might be interested to learn that the fallout from Hispanism’s quest for the “first modern novel” has involved so much attention to, indeed complication of, Don Quixote, that the book now resembles more a postmodern text than an early modern one. At the turn of the century, we have been left with what Jorge Luis Borges would recognize as an “aleph”: an infinite ideological labyrinth that reflects and/or cannibalizes all forms, thereby escaping all attempts [End Page 68] to describe it. 2 Whatever we currently mean by “Cervantes” (an author, a collection of texts, an ideological construction, and so forth) carries with it an impressive range of critical responses. Cervantes has been labeled converso (Castro, Canavaggio), Christian humanist (Castro, Bataillon, Forcione, Herrero, Vilanova), disillusioned secularist (Lukács, Cascardi), precapitalist (Johnson), anti-essentialist (Wilson), anti-Eusebian (Presberg), Menippean (Bakhtin), feminist (El Saffar, Rabin, Cruz), sadist (Nabokov), ethnocentric imperialist (Mariscal), medieval (Gorfkle), homophobic (Martín), non-organicist Aristotelian (Read), and either discursively or actually homosexual (Combet, Rossi, Smith, Arrabal). This list is nowhere near complete, but the reader will grasp the robust effects of the plurality of perspectives on Cervantes.Each of these interpretations is valid to varying degrees within various contexts, but at present I am interested in reading Cervantes as the author of a multicultural manifesto on behalf of the Moriscos of Southern Spain. 3 Within the contexts of French Marxist philosopher Louis Althusser and Palestinian postcolonial literary critic Edward Said, materialist, postcolonial, and multicultural critiques of various forms of power and their ideologies can be seen as the fundamental propositions of Cervantes’s Don Quixote. 4 Cervantes’s ultimate orientation may perhaps be inescapably Eurocentric, but his responses to the European experience of the rise and expansion of an ethnocentric militaristic nation state are relatively centrifugal when compared to the attitudes of many of his contemporaries.In surveying some of the antihegemonic details of Cervantes’s novel, I am also interested in dispelling the popular myth of Don Quixote. Especially in the English-speaking world, and particularly in the United States, Don Quixote remains captive to a... (shrink)